"When are you going to do some BIG landscape paintings?" she asked. And he asked. And they asked. 

Well, the truth is anything much above 16 x 20 sets my mind in a whirl. So, this summer, I am facing my fears, taking out my bigger brushes and giving it a go. Facing a big white canvas is daunting. To get myself in gear I prepared the surfaces of a few older paintings and I am painting over them.  The Old Masters did this all the time, so who I am to argue with the practice? 

This painting of lavender at Sonoma's Matanzas Creek  winery is painted over a painting done in a class a few years ago.  It measures 24" x 30" which is a great size for a guest room, or over a couch or table or on an entry wall if you need decorating ideas. If it were a "new" painting, this size would sell for $2150.

However, I consider this one of my BIG studies and I am getting ready to break out and buy some brand new large canvasses.  So, if you would like to have it for your collection at a BIG price break - make an offer. Anything over 1/4 price (that's $430) will be entertained. Not exactly an auction - but the best offer this week takes it.  I can use the money  for more paint and larger canvasses!  Send me an email if you are interested.

This week I am experimenting with water-soluble oil paints, which are "real" oil paints but can be cleaned up with soap and water as opposed to solvents.

I put a set in my travel easel which I keep in the car for spur of the moment landscape stops. The colors are not quite as vibrant as my usual paints, but I think they proved successful for this small (6"x8") morning painting at Pacheco Pond.

It will be interesting to see how it goes in different light and weather conditions, and to see what kind of colors I can mix up with this new recipe.

I am off to the Sierra Mountains of California, near Lake Tahoe for a weeklong painting trip with 3 painting friends. The snow on the ground was nearly melted when I was there last month, so I have been expecting a week filled with budding trees, blue skies and closed ski resorts. But now the weather report says "CHANCE OF SNOW!"  In preparation for this trip, I've inventoried all my paint colors, given my brushes a good clean, and stocked up on wet panel carriers. I've learned lots of interesting tips for cold weather painting, including standing on a dark blue yoga mat in the snow. The reason? To keep feet dry and to cut down on the snow's reflection under the easel. That's a great idea, and one more item to add to the packing list.

In just over two weeks I will be headed off to my first Artist-in-Residence program, the Chalk Hill Residency, in Sonoma County, California.

The concept for the residency is based on the vision of the late John Carl Warnecke, an internationally renowned architect (1919-2010). In 1983 he laid out plans for an artist retreat on his family's 280-acre ranch and vineyard property near the town of Healdsburg, bordering the Russian River. 

 I am one of 11 artists chosen this year, and part of an interesting mix of painters, sculptors, writers, sound artists, musicians who have been awarded the residency since it began in 2011. During my three weeks, I will be living in a farmhouse and spending my days roaming the property painting the landscape. I will also have a studio space on site. It looks like an amazing place. I don't fully know what to expect once I get there, and for someone as organized as me, that is a leap of faith. In the meantime, I'll be making lists and packing paints and building wet canvas carriers. There may be an Open Studio day, and perhaps a show...I'll keep you posted!

Several months ago, I commented on a Facebook friend's picture of her three beautiful children on a beach, "I would LOVE to paint that."

What a thrill and surprise to get a message a few weeks ago asking if I would be interested and able to paint the image as a Christmas gift for the children's father.

Painting on an inch-thick birch panel treated with traditional gesso (marble dust and rabbit-skin glue), with brush and palette knife, allows the juicy texture of the paint brushstrokes to show on the surface.

It's an impressionistic landscape portrait that was a joy to paint. If you have a favorite image or location you would like captured and interpreted in oil paint, I'd be happy to discuss a commission with you!

Northern California summer starts when the hills turn from green to yellow to gold. I've been painting outdoors a lot during the past few weeks and every day the changes become more obvious. I've got several plein air paintings in various stages of drying, waiting to be photographed and posted on my website.

Plein air painting, while not officially a sport, is a good workout. First you have to pack your backpack (paints, thinner, brushes, palette, canvas panel, towels, garbage bags, clamps, bungee cords, sunscreen, hat, collapsible umbrella, water and a power bar) and your easel (in my case, a "guerilla" box and a tripod) and then drive to your previously scouted location. Then you either "car paint" if your vista is viewable from the side of the road or you hike. And then you stand for a few hours, stepping back and forth to check how the painting is coming along.

So, if you see a painter on the side of the road while you are out for your run or ride, wave or say hey. We sports people need to stick together!