Mt. Tamalpais, Bayfront Park Spring, 20 x 40 Oil
Hanging an art show takes time and patience. The opening night of a show over in a flash. Then the show hangs, until it's time to take it down. Pieces that have sold are delivered to new collectors, and the rest is packed up and taken back to the studio. Mill Valley Depot, 11 x 14 Print, $50.
My June landscape show opening (at Alain Pinel in Mill Valley, California) had over 100 visitors for art, conversation, and a glass of wine. It was a great opportunity to show my latest work to old and new friends, collectors and interested guests.
If you weren't able to see the show in person, here's a look at some of the new, and still-available paintings, all beautifully framed. Click on the image for a larger view, size and price:
Tomorrow it will be time to load boxes, padding and tools into the back of the Prius and unhang it all. Some pieces are headed to new homes, others are headed to photography for prints and notecards. But tonight, I will put away wet paints and clean out the studio to make room for what's coming back. And I pick a winner - not a painting, but a person.
At every show, I ask people to sign a guest book and one person is randomly selected to win a print. This time, the print was "Mill Valley Depot," and winner is Lydia Maroevich. Congratulations!
We spend a lot of time in the heart of our homes, gathering with family and friends and creating good food and memories. Kitchens are a natural place for art - and not just the masterpieces taped to the refrigerator! Still life paintings of fruit and vegetables are natural subjects for art in the kitchen, but have you ever considered a landscape?
This beautiful gourmet kitchen in Washington state is the new home for my recent oil study of Mt. Tamalpais. The owner chose a warm cherry frame to complement the cabinetry, and the cool gray-blue color palette of the painting picks up tones in the slate backsplash and the skies of the Pacific Northwest.
Going back to the same spot to paint in different weather or different times of the day is a great exercise in painting what I see -- not what I know, or what I think I see.
One dry afternoon, Mt. Tam looked clear and the grasses along the creek were hot orange. The result is a very warm painting.
On another day, the air had quite a bit of moisture and the mountain had a vague mist around it. The grasses were more uniformly green, and the water seemed more blue. It was a warm day, but the painting is cool.
I've been doing these smaller paintings outdoors ("en plein air" as termed by the Impressionists) as studies for a larger one.
The same paint colors were on my palette each time, but the results are so different, I am tempted to go back to the scene again this week with fresh eyes and see what happens! What do you think?
Just got the call that another Mount Tamalpais, Richardson Bay print sold!
I am so grateful for the response to this limited edition print of my painting. This giclee is 10 x 20, printed on dense watercolor paper, surrounded with an 8 ply thick mat and framed in a 14 X 24 wood frame.
It is now hanging in homes throughout Marin County and in Colorado, Ohio and Virginia.
There are 7 framed prints remaining in this final, signed edition.